A PHASE OF PROGRESION IN SERAK, UNDER ME. By the true phantom of Serak.
After all the unneccesary infighting of
others, mainly the students under my older brother Paul, and many under
my younger brother Vicor and others in Holland - is it also my
energized morivation for ending the fury in climax of my issues wih all
of them - to remove any other obstacle standing in my way. Those I had
mention, and to include even my own brothers, and others of the
bloodfamily who have tried the hardest to convince the world -that they
are the only ones able to teach the art Serak. And that the PDTAcademy
or the VDT Academy or the only ones by going further also even to under
Walter van der Broeke, ( a rotten apple to spoil good fruits), and the
de Vries family, in Holland are the only ones authorized and allowed
for teaching PENTJAC SILAT SERAK OR POEKOELAN PENTJAC SILAT Serak as
authorized by the de Vries and Paul de Thouars.
This measure of authorization by all men in diapers, and leaders who were never leaders left the world a chaotic planet for thinking that way. After all we share our planet together, and I measure my own values of knowing the art Serak from uncles, and the immidiate trained instructors of the founder -Pak Serak who were the long line disciples of the system's father. While many others, and to include the best known gurus of Serak, in the personas of Mas Djoet and Marun to the three de Thouars brothers - Maurice, Paul and Victor - had gone only further to expedite their long life stories that only could relate to these two gurus who taught the two uncles John and Ventje de Vries and in turn taught mainly Paul and Maurice - the art that was actually more the Mas Djoet Serak explicit from what they knew in how to teach. The history of serak, as I too was informed by family, and the two uncles began to escalate to only Mas Djoet and had not gone any further beyond the horizon of the system. There were other Dutch Indonesians who trained together with Joihn and Ventje de Vries was also a certain Schrijn and several others who trained together with the two uncles. The Serak history, in Holland and in America and else where on the planet wend not further from where it began to envolved - from the start with Mas Djoet and to end with Mas Djoet. Historical found my greatest resentment that for years, since Serak was taught by Maurice, Paul and Victor wend not any further in lack of a resource in research. Non of those leaders who had introduced Serak here in America, and in Holland had gone deeper in studies.
All the ghost stories being told that Mas Djoet had to revised and actaully reformed the art, he learned from the founder to a better format to educate people better in serak - became actually a Mas Djoet orientated system out the original combative art of Serak. According to the legendary stories that many left the founder -included also Mas Djoet- that Pak Serak was unable to teach because of his club foot and lame arm. through birth. Looking at history so did Alexander the Great born in 356 BC was born with a birth's defect, and was fearsome conquering the world and leading men in battle. So was Julius Caesar, a brilliant Roman general and pro consul elected in 59 BC was feared in battle and led his Roman legions to Victory. And one other excample King Tuthnosis III of Egypt brought Egypt to its highest peak, and won many battles had also a birth's defect. ( 1479-1425 BC)
According to the three teachers who were directly trained under Pak serak -that he was fluent in movements and could move in faster than any one else they ever had seen before. Pak Serak, and his club foot lived in years of difficulties - was under colonial rule -had to survive physically and mentally and fought off native attackers, and lived in the forest. With his club foot and lame arm could move faster and was also a supreme counter action fighter to swiftly move in, out and was very mobile with close encounters as fastly he could cover his distances. Pal Serak was an internal and external martial warrior. and highly praised as a teacher by the students who was loyal to the creator of the system Serak. The art itself find many highly orientated influences of tracing its influences back to the Wutan monastery of Tibet. It can esy be shown in the golden spider form or juru as more complex and longer in extension over the Serak of the two uncles de Vries.
From what I knew in studies the history of Serak, and it system find also many of my resentful disagreement with even my own brothers, and all their students for not practicing the Serak art of Pak Serak - but instead are more deeper orientated in the practice of Mas Djoet, and his art of the same system and actually denyng the existence pf Pak Serak and followers under him. Their denial is my mistrust.
Why collectively speaking in my writing is it more appropriate for me, and my loyal and devoted followers to stay further apart from all the other Serak systems -in America -in Holland and even in West Java. Also more constructive for me to have estab;ished Serak training centers for the quality of the art of Pak Serak. We need to stay apart, and regardless of some similiarity in our system's practice are we also quite a far distance apart.
Our Serak, the Willem de Thouars Makao Hakka kun tao Serak remains its own practice and entity from all others. By Oom Willem de Thouars, the true phantom of Serak.
This measure of authorization by all men in diapers, and leaders who were never leaders left the world a chaotic planet for thinking that way. After all we share our planet together, and I measure my own values of knowing the art Serak from uncles, and the immidiate trained instructors of the founder -Pak Serak who were the long line disciples of the system's father. While many others, and to include the best known gurus of Serak, in the personas of Mas Djoet and Marun to the three de Thouars brothers - Maurice, Paul and Victor - had gone only further to expedite their long life stories that only could relate to these two gurus who taught the two uncles John and Ventje de Vries and in turn taught mainly Paul and Maurice - the art that was actually more the Mas Djoet Serak explicit from what they knew in how to teach. The history of serak, as I too was informed by family, and the two uncles began to escalate to only Mas Djoet and had not gone any further beyond the horizon of the system. There were other Dutch Indonesians who trained together with Joihn and Ventje de Vries was also a certain Schrijn and several others who trained together with the two uncles. The Serak history, in Holland and in America and else where on the planet wend not further from where it began to envolved - from the start with Mas Djoet and to end with Mas Djoet. Historical found my greatest resentment that for years, since Serak was taught by Maurice, Paul and Victor wend not any further in lack of a resource in research. Non of those leaders who had introduced Serak here in America, and in Holland had gone deeper in studies.
All the ghost stories being told that Mas Djoet had to revised and actaully reformed the art, he learned from the founder to a better format to educate people better in serak - became actually a Mas Djoet orientated system out the original combative art of Serak. According to the legendary stories that many left the founder -included also Mas Djoet- that Pak Serak was unable to teach because of his club foot and lame arm. through birth. Looking at history so did Alexander the Great born in 356 BC was born with a birth's defect, and was fearsome conquering the world and leading men in battle. So was Julius Caesar, a brilliant Roman general and pro consul elected in 59 BC was feared in battle and led his Roman legions to Victory. And one other excample King Tuthnosis III of Egypt brought Egypt to its highest peak, and won many battles had also a birth's defect. ( 1479-1425 BC)
According to the three teachers who were directly trained under Pak serak -that he was fluent in movements and could move in faster than any one else they ever had seen before. Pak Serak, and his club foot lived in years of difficulties - was under colonial rule -had to survive physically and mentally and fought off native attackers, and lived in the forest. With his club foot and lame arm could move faster and was also a supreme counter action fighter to swiftly move in, out and was very mobile with close encounters as fastly he could cover his distances. Pal Serak was an internal and external martial warrior. and highly praised as a teacher by the students who was loyal to the creator of the system Serak. The art itself find many highly orientated influences of tracing its influences back to the Wutan monastery of Tibet. It can esy be shown in the golden spider form or juru as more complex and longer in extension over the Serak of the two uncles de Vries.
From what I knew in studies the history of Serak, and it system find also many of my resentful disagreement with even my own brothers, and all their students for not practicing the Serak art of Pak Serak - but instead are more deeper orientated in the practice of Mas Djoet, and his art of the same system and actually denyng the existence pf Pak Serak and followers under him. Their denial is my mistrust.
Why collectively speaking in my writing is it more appropriate for me, and my loyal and devoted followers to stay further apart from all the other Serak systems -in America -in Holland and even in West Java. Also more constructive for me to have estab;ished Serak training centers for the quality of the art of Pak Serak. We need to stay apart, and regardless of some similiarity in our system's practice are we also quite a far distance apart.
Our Serak, the Willem de Thouars Makao Hakka kun tao Serak remains its own practice and entity from all others. By Oom Willem de Thouars, the true phantom of Serak.
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